May Jeong discusses the victims and survivors of the Atlanta spa shootings and paints a picture of how violence against Asian communities is part of a long history of racism in the U.S.
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How cancel culture is holding writers back
Writer Sarah Hepola examines the ways she has muted herself and contemplates what cancel culture means for writers.
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It’s still possible to be human in a digital world
Christina Crook discusses practical techniques for battling online fatigue and disconnecting from our devices in order to fully engage in everyday life again.
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How to deal with workplace bullies
Tessa West examines the different personality types that tend to make work miserable and the methods of social psychology you can employ to neutralize them.
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Art can open our minds to new solutions
Amy E. Herman explains her method for training leaders to look to works of art to mend what’s broken in their organizations.
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How lesbian culture went mainstream
Jill Gutowitz discusses her personal essays about how lesbian culture went mainstream and her own place in it, using pop culture as a measure of society’s values.
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She found freedom by leaving America
Tiffanie Drayton discusses her move as a child to the U.S. – where she experienced racism – and her decision as a young adult to move back to Tobago.
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What does God look like?
Francesca Stavrakopoulou, professor of Hebrew Bible and ancient religion, discusses her research of the Bible to arrive at a portrait of a complex god whose appearance was shaped by early worshipers.
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Why we should take flat-earthers seriously
Kelly Weill explains why people are drawn to the idea that the world is a pancake surrounded by ice and our contemporary moment that leads them there.
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Some introverts find peace while everyone else sleeps
Faith Hill reveals the lives of extreme introverts – people who crave being alone – and the ways they get around interacting with the rest of society.
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How to kick your success addiction and love your work
Arthur C. Brooks discusses his research to understand how to move past waning opportunities for advancement and embrace aging with all its many wonderful possibilities.
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Who really writes movie scores?
Mark Rozzo talks about how name-brand composers often employ assistants to do much of the heavy lifting – and how the credit and money often isn’t shared fairly.
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